The Art of Deception
or Pride and Extreme Prejudice
This week continues a spy story set in late Georgian England, the year before Trafalgar. Last week (I didn’t count correctly, so it became a bigger sunday snippet.) Roderick and Edward discussed the evening ahead, and that their rooms had been searched. This ten line extract shows the other side’s opinions of the state of affairs.
Lucy knocked on the door and came in, “I’d say he’s unusual; Did Alice tell you he saved her life this afternoon?”
“He did, how?”
“My horse bolted for her barn; he helped me get the screw under control”
“Oh … I presume he is an adequate horseman.”
“An excellent one.”
“Then I wonder how he is with his lock picks; he had a full set of screws and burglars’ tools; the only thing missing was a jemmy.”
“Did you find anything else?”
Lucy continued, “Edward and Mr Stanton wished that we would join them for dinner; I think Edward wants to ask me something.”
Alice rolled her eyes; then she glanced at Martha; it was clear she was equally amused.
Now that you’ve read my hackery, please see the talented writers in Weekend Writing Warriors.
My apologies for creative punctuation.
The featured image shows historic lockpicks. Isn’t it interesting that you can refer to a poor excuse for a horse as a ‘screw’ and the word at the time for a lock pick was also a ‘screw’? The most common mechanism for locks has changed since the early 1800’s and with that the form of the picks. The two ninety degree bent objects on the left of the image above are the most important part of a lockpicking kit – tension bars. You use them to place the lock in “tension” so that the pins can be adjusted until it opens. Unlike Hollywood, you can’t just use a pick on its own. The actual “pick” itself isn’t as critical. I’ve had best luck with the feelers (picks 1 and 4) but the others work – especially if you’re better at it than I am. If you have a tension bar, you can improvise a pick from almost anything you can reliably shove in the lock cylinder. One of the more amusing examples is a strip cut from the lid of a can of cat food.
Like poor Cecelia, “The Curious Profession of Dr Craven” is back from the dead.
I’ve released a sweet regency romance, Miss DeVere This is a fun read.
Frankenkitty is available.
What happens when teenagers get to play with Dr Frankenstien’s lab notebooks, a few odd chemicals and a great big whopping coil? Mayhem, and possibly an invitation to the Transylvanian Neuroscience Summer School.
Get Free Stuff and try out my landing page. There are three free complete short stories (including an ARC for Frankenkitty) available after you’ve gone through the hoops.
12 thoughts on “The Art of Deception 32”
I’m enjoying the historical lessons you include with your snippets. However, I worry just a tad about your skill as a lock picker. I know indie authors don’t make much much money, but still….
Real thieves use bolt cutters. It’s actually a cross-over from my work in computer security where lock-picking and “constructive mischief” sort of goes with the territory.
Great snippet! And again, love the historical data. 🙂
Interesting discussion they’re having and I’m with everyone else – loving all the historical information I’m acquiring along the way. Terrific excerpt…
I’m with the others in loving your use of historical tidbits here.
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Thus putting the screws to someone… Hm. So enjoying your snippets et al.
I enjoyed the lesson on lock picks. Wonder what Edward wants? Nice snippet.
Great snippet! Loved the bit about the lock-picks. 😀
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