Sonnet to Winter

Emily Chubbuck Judson

Thy brow is girt, thy robe with gems inwove;
And palaces of frost-work, on the eye,
Flash out, and gleam in every gorgeous dye,
The pencil, dipped in glorious things above,
Can bring to earth. Oh, thou art passing fair!
But cold and cheerless as the heart of death,
Without one warm, free pulse, one softening breath,
One soothing whisper for the ear of Care.
Fortune too has her Winter. In the Spring,
We watch the bud of promise; and the flower
Looks out upon us at the Summer hour;
And Autumn days the blessed harvest bring;
Then comes the reign of jewels rare, and gold,
When brows flash light, but hearts grow strangely cold

“Sonnet to Winter” was published in Judson’s book Alderbrook (W. D. Ticknor and company, 1847).

Waterfall in Cloudland Canyon
(c) 2015 Robert W Harrison

Mending Wall

Robert Frost

Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of outdoor game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbors.’
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn’t love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbors.’

Most Sweet It Is With Unuplifted Eyes

William Wordsworth

Most sweet it is with unuplifted eyes
To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between
The beauty coming and the beauty gone.
If Thought and Love desert us from that day,
Let us break off all commerce with the Muse:
With Thought and Love companions of our way,
Whate’er the senses take or may refuse,
The Mind’s internal heaven shall shed her dews
Of inspiration on the humblest lay.

Blood Mountain Wilderness
(c) 2008 Robert W Harrison. (accept no substitutes)

The Desolate Field

William Carlos Williams

Vast and gray, the sky
is a simulacrum
to all but him whose days
are vast and gray, and—
In the tall, dried grasses
a goat stirs
with nozzle searching the ground.
—my head is in the air
but who am I…?
And amazed my heart leaps
at the thought of love
vast and gray
yearning silently over me.

Cranes in a cotton field near Centre.
(c) 2015 Robert Harrison

Sunrise

Lizette Woodworth Reese

The east is yellow as a daffodil.
Three steeples—three stark swarthy arms—are thrust
Up from the town. The gnarlèd poplars thrill
Down the long street in some keen salty gust—
Straight from the sea and all the sailing ships—
Turn white, black, white again, with noises sweet
And swift. Back to the night the last star slips.
High up the air is motionless, a sheet
Of light. The east grows yellower apace,
And trembles: then, once more, and suddenly,
The salt wind blows, and in that moment’s space
Flame roofs, and poplar-tops, and steeples three;
From out the mist that wraps the river-ways,
The little boats, like torches, start ablaze.

The sunrise from the tooth of time
(c) 2008 Robert W Harrison

Jabberwocky

Lewis Carroll

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand;
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

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I Am a Little World Made Cunningly (Holy Sonnet V)

John Donne

I am a little world made cunningly
Of elements, and an angelic spright,
But black sin hath betrayed to endless night
My worlds both parts, and oh! both parts must die.
You, which beyond that heaven which was most high
Have found new spheres and of new lands can write,
Pour new seas in mine eyes, that so I might
Drown my world with my weeping earnestly,
Or wash it, if it must be drowned no more:
But oh! it must be burnt; alas the fire
Of lust and envy burnt it heretofore,
And made it fouler; Let their flames retire,
And burn me, O Lord, with a fiery zeal
Of thee and thy house, which doth in eating heal.

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This shows the effects of a forest fire some ten years on.

photographs (c) 2011 R Harrison

Interlude

Edith Sitwell

Amid this hot green glowing gloom
A word falls with a raindrop’s boom…

Like baskets of ripe fruit in air
The bird-songs seem, suspended where

Those goldfinches—the ripe warm lights
Peck slyly at them—take quick flights.

My feet are feathered like a bird
Among the shadows scarcely heard;

I bring you branches green with dew
And fruits that you may crown anew

Your whirring waspish-gilded hair
Amid this cornucopia—

Until your warm lips bear the stains
And bird-blood leap within your veins.

Forbearance

Ralph Waldo Emerson

Hast thou named all the birds without a gun?
Loved the wood-rose, and left it on its stalk?
At rich men’s tables eaten bread and pulse?
Unarmed, faced danger with a heart of trust?
And loved so well a high behavior,
In man or maid, that thou from speech refrained,
Nobility more nobly to repay?
O, be my friend, and teach me to be thine!

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Fall Birds

I wanted to try an inexpensive mirror lens with a 2x extender for nature photography. It’s not bad, but not great either. The acuity is not as good as I’d like, and the depth of focus is paper thin. But when it works it’s pretty good.

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These seagulls were hunting shad on the far side of the lake, about 700 meters away.
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The flat field of focus can be really nice. I like this back-lit grass and weeds.

all photographs (c) 2015 Robert W. Harrison